Sunday, 11 November 2012

Rust and Bone


Rust and Bone 

Rust and Bone has two very different, Alain (Matthias Shoenaerts) faced a parent, or at least try to fulfill his responsibilities as a father, and Stephanie (Marion Cotillard) whale trainer hard to park aquatic French spirit. Alain back in town, he meets Stéphanie overnight, and it is a crisis with their points of view, because it is horror. When Stephanie lost her legs in an accident, she is forced into contact with Alain. Both these two characters have different needs, it seems that only the other can fill.
Rust and Bone (or rust and bones as it is known in France) is a movie not unknown, creating a synergy of several famous films, tested and conforms to what he believes is the required result. In this review, I'm not sure it meets the objective. Although Rust and Bone is certainly a very competent movie that does nothing, or go anywhere we have not seen. When I travel to London and see posters saying "Fascinating", "Awesome", "exciting", I can not help but wonder if we were watching the same movie.

The writer / director Jacques Audilard been banging on their tracks together, with little regard for things that make us human, and emotion. Everyone in the film seems somewhat remote, sometimes almost transparent in its visibility. There is little explanation of why these two characters bond, especially in his only game features such a concern.
Marion Cotillard is very good in the film, and made the best of the given material. A moment in the film where his character wakes up in a bed, to discover who has lost his legs from the knees, is beautifully done. As a survivor of an incident, it is very convincing indeed a phenomenal talent Cotillard.
Given the foregoing, rust and bone is a good film, but if the head waiting to get a glimpse of the publicity about the film, which will be sadly disappointed.

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